All work

Student design agency · 2026

Club Studio

Real clients, real deadlines, and a brief that can change overnight.

At WSU's student-run design agency, I grew from graphic designer to web designer to project manager, working on real client briefs.

The circular arrowleaf balsamroot emblem for Palouse Prairie Foundation beside the redesigned Club Studio website.
My role
Graphic designer → Web designer → Web design project manager
Timeline
Spring 2025 – May 2026
Team
Logo: 1 other designer, Website: Club Studio web team
Tools
Adobe Photoshop, Cargo

01 · Setting the scene

A real agency, run by students

Club Studio is a student-run creative design agency at Washington State University. Students partner with real clients to deliver branding, UX/UI, web and marketing work, and get hands-on professional experience along the way.

Over a little more than a year, I held three roles there:

  • Graphic design intern (Spring 2025)
  • Web designer (from August 2025)
  • Web design project manager (January – May 2026)

Each role asked something different of me: first to make things, then to improve them, and finally to help a team deliver them. This case study follows two projects from that journey: a logo for a conservation nonprofit, and a redesign of Club Studio's own website.

02 · The problem

Two clients, two very different asks

Palouse Prairie Foundation is a nonprofit in Moscow, Idaho, dedicated to preserving and restoring the endangered native Palouse Prairie ecosystem in Latah and Whitman Counties. Early in its branding project, it asked us for a new logo that could carry that mission.

Club Studio itself had a website that looked designed but didn't work for the people using it. Visitors couldn't move around the site without struggling, which undercut an agency whose whole pitch is good design. That's what prompted the redesign.

03 · Digging in

Starting from the mission

For the foundation, my teammate and I looked at how other nonprofits present themselves, and dug into the foundation's own mission. We wanted a mark that would resonate with the people who care for the prairie, not one that could belong to any organization.

That led us to the arrowleaf balsamroot, a native flower that has come to symbolize the Palouse Prairie. It gave the mark something specific to this place, not a generic leaf or landscape.

04 · The turning point

When the scope changes after you deliver

We designed and delivered the logo. Then the foundation decided the redesign was no longer part of its project scope, and the logo was set aside.

It wasn't a verdict on the work. Priorities shifted, which happens with real clients. But it taught me that a design only matters if it fits what the client needs right now, and that scope is something to confirm early and keep confirming.

That lesson shaped my next role. On the Club Studio website, the job wasn't to invent something new. It was to make what already existed easier to use.

Design isn't always about creating something new. Often it's about improving what already exists.

05 · Making it real

From emblem to interface to team

A vintage emblem rooted in the prairie

We designed a vintage-inspired circular emblem centered on the balsamroot, simplified into a bold, sun-like silhouette so it would stay recognizable at any size and feel timeless rather than trendy. The circular badge stands for unity, continuity and the prairie's natural rhythms. A neutral palette keeps the identity classic and understated, while a warm golden accent adds emphasis and quietly references the prairie landscape.

Palouse Prairie Foundation logo concept: a sun-like arrowleaf balsamroot inside a circular vintage badge, in neutral tones with a golden accent
A mark built around a native flower
Sketches and iterations of the balsamroot emblem
Simplifying the flower into a bold silhouette

A Work section you can actually browse

Rebuilding the site in Cargo, I kept the agency's existing brand and focused on navigation and accessibility. My main contribution was making the Work section fully scrollable, so visitors can move through all of the agency's projects in one continuous flow instead of struggling to find their way around.

The redesigned Club Studio Work section, first part
The redesigned Club Studio Work section, continued
Every project, one scroll

A Contact page that gets to the point

I reworked the Contact page so key information is easy to find. The new layout gives it a clearer visual hierarchy while staying consistent with the agency's branding.

The redesigned Club Studio Contact page
Clearer hierarchy, same brand

Leading the web team

The website redesign ran across both of my later roles. When I became web design project manager in January 2026, I took on running the team's meetings, assigning tasks and communicating with clients, so the designers could focus on the work and clients always knew where things stood.

06 · The ending

Growing as a designer and a teammate

Club Studio showed me what it's like to work in a collaborative design agency with real clients. I strengthened my skills in branding, web design, accessibility and project management, and learned to communicate ideas, adapt when a project's scope changes, and work inside an established design system.

What I learned

  • Improving is design too. Refining an existing interface takes as much care as starting fresh.
  • Confirm scope early, and keep confirming. Even finished work can be set aside when a client's priorities move.
  • Leading is part of the craft. Running meetings, dividing work and keeping clients informed is what gets good design delivered.
  • Teams make the work. Collaborating across disciplines, and balancing user needs with client needs, gave me confidence I couldn't have built alone.

Looking back, Club Studio helped me grow not only as a designer but also as a teammate, and made me even more excited to pursue a career in UX and product design.